The Word Seminar, Visual studies, UC Berkeley/Fall 2007. The Autographic Mark: Looking, Discussing, Understanding..."Where do we come from? What are we? Where are we going?"
This one is for Sabina--pretty much describes where I am these days, my dear, somewhere in the vicinity of Grauman's Chinese, with Douglas Fairbanks, Sr. on my left--in an Argentine Overture--with tickets for the orchestra, center row. We won't inquire as to the pagodas and lanterns. Just to make it absolutely clear that Bingo goes way, way back...
Captain of Industry One man's mission to save Braddock, Pennsylvania by Joshua M. Bernstein photo credit: Bryan Goulart (ReadyMade, August/September 2007)
Fetterman, for all his efforts, knows he can’t spruce up every home on his own dime. In the long-term, his municipal uplift will require outside creative and economic capital. So, along with hands-on projects, the mayor’s days are spent as Braddock’s ambassador. “We need to get people excited about living in Braddock again,” he says. “For DIY-ers, this town is a dream.” On a typical day, he’ll meet clothing designers and museum honchos interested in what Braddock has to offer. The attention is mostly regional, spurred by articles in local newspapers, the town’s informative website, and Feldman’s outreach lectures.
A clip from Lian Lunson's documentary/concert film I'm Your Man (2006). The film contains interviews of Leonard Cohen interspersed with live performances (from a tribute concert in Australia) of his songs by other artists. I find these tribute performances of varying interest and quality, but the interviews of Cohen are, in my opinion, priceless.
Here Rufus Wainwright, one of my favorite contemporary singer-songwriters and performers (probably the best around), performs Cohen's elegy to Janis Joplin, "Chelsea Hotel #2" (1974).
I found interesting Cohen's remarks about New York versus Montreal and when, talking about the source of this song, he says: "It's the only time I've been that indiscreet where I actually said to a journalist somewhere along the line that I had written it about Janis Joplin. You know the devil made me do it. I don't know why I was so ungallant. She wouldn't have minded, no, my mother would have minded."
Sit and Dig is an ongoing series of site oriented bench gardens from everyday abandoned objects. Wherever installed– whether the city center or the back forty, each Sit and Dig bench garden responds to the particulars of the given site and provides respite and nourishment to the curious passerby.
A small cooperative dedicated to availablism. (Nieto & Stone 07, "Grounded" SoEx, Dec 1st.) The Grounded show continues.